by Ken Meltzer
Thomas Quasthoff sang his first of three concerts yesterday evening with Mariss Jansons and the Pittsburgh Symphony at Heinz Hall. Last night ranks among the most unforgettable vocal recitals of my concert life. I have several recordings by Mr. Quasthoff, but this was the first time I heard him in actual performance. As you all know, that can be quite a different story.
Mr. Quasthoff sang six concert and opera arias by Mozart, including the Catalogue aria from Don Giovanni, the Count's aria from Figaro, and the bravura aria, Rivolgete a lui lo sguardo, originally intended for Cosi, but ultimately replaced by the briefer Non siati ritrosi. It is no exaggeration to say that there was not a single vocal blemish in the entire performance. This man has one of the most rock-solid techniques I've ever heard. There are no register breaks. He sings beautifully throughout a wide range of dynamic levels, and his soft singing is the real thing, without a hint of crooning. Both the extreme top and bottom notes are delivered without pressure and with beautiful tone.
Mr. Quasthoff is also a compelling, nuanced interpreter. I was delighted to find him often taking different interpretive approaches from his recorded versions of the arias, available on an RCA disc. And his joy in performing is evident each and every moment he is on stage.
After completing the announced portion of the program, Mr. Quasthoff returned to sing Sarastro's In diesen heil'gen Hallen. But before that, he told the audience "Don't leave after the Sarastro aria! We might have a surprise for you." After a gorgeous rendition of the aria (with the optional low "E") Quasthoff returned once again, this time joined by the PSO's Principal English horn, Harold Smoliar, who also happens to be a fine jazz pianist. After introducing Mr. Smoliar (but not the piece), Thomas Quashtoff immediately launched into My Way. I am no fan of this song, (as opposed to many other Sinatra standards) but I will never forget the sincerity and artistry that Mr. Quasthoff brought to it. I'd be willing to bet there was not a dry eye in the house. I can certainly vouch for what mine were doing!
One of the advantages of working for the Pittsburgh Symphony is access to all concerts. I'm looking forward to returning this evening and tomorrow afternoon to hear one of the great singers of our time.